Tuesday, 18 November 2025

The Paga Diaries (27)

 



27.  Lady Filomena

“Next prisoner please,” the Magistrate said to the Prosecutor.
I watched as the city guardsmen went to the two women still locked in the coffle. They removed the ankle shackle from the Free Woman who had plush but dirty slippers on her feet.  She wore a veil covering her face and robes concealing her figure.  The robe had a hood that covered her hair.  The handcuffs were removed from her hands, which were behind her back.  The other woman wore a light tunic, was barefoot, and wore a collar, clearly a slave. The coffle shackle was removed from her ankle but her hands remained braceleted behind her back. They were brought before Julian Lepidus, the Magistrate.
The Prosecutor said, “Please state your name, caste and Home Stone for the Record.”
“I am Lady Filomena Viducia Barbietia, a scribe, and Argentum is my Home Stone.”
“The woman standing next to you is your slave?” the Prosecutor asked.
“Yes Sir, Dira.”
“Kneel Dira,” the Prosecutor said, and Dira went to the ground keeping her knees together, kneeling in tower position.
The Prosecutor then said, “Lady Filomena Viducia Barbietia, you are charged with breach of contract with the City of Argentum for the delivery of war materials, which is a form of treason whenever the City is engaged in war.”
Lady Filomena gasped, as well as did many others in the attending crowd.
“How do you plead?”
“Not guilty Sir,” Lady Filomena replied emphatically.
The Prosecutor turned and went to the table behind him, where a man in blue, an assistant scribe, had papers arranged on the table. The assistant handed him a paper that was wrapped into a scroll. The Prosecutor unwrapped the scroll and brought it over to Lady Filomena and asked her, “Are you familiar with the signatures on this contract?”
“Yes Sir,” she said.
“Whose signatures are they?” he asked.
“One is mine and the other is the signature of Marden Stelcis, my Free Companion,” she answered.
“Marden Stelcis is to be charged with breach of contract as well. Do you know where he is?”
“No Sir, I do not know where he is,” she said.
“When was the last time that you saw him?”
“It was prior to the last passage hand; it has been almost a month since I have seen him,” she answered.
“Have you been in correspondence with him or received any messages from him or anyone acting on his behalf?”
“No Sir,” she said.
“The contract that you signed states that Marden Stelcis and yourself were to deliver fifty new tharlarion war saddles to the city of Argentum, within sixty days of being paid the deposit, which was half of the total money to be paid, the other half to be paid upon final delivery.  To date, no saddles have been delivered. Do you dispute anything that I have stated so far?”
“No Sir,” she said.
“After the sixty-day period passed and the saddles were not delivered, a City courier delivered an ultimatum, which was signed by Marden Stelcis. The ultimatum demanded the saddles be delivered immediately or a delivery extension request be submitted.  The City has not received a delivery extension request. Where you aware of the ultimatum that was sent by courier?”
“Yes, Sir.”
“Are you able to explain why the saddles were not delivered on schedule or why an extension request was not submitted?”
“No Sir, I don’t know why the extension request was not submitted. Marden said he was going to do it, but then said he wanted to just finish making the saddles and deliver them. We have completed seventeen so far. He said it would be okay if they were a little late. I believed him. We ran into problems obtaining materials. There is a shortage of several items that we need, to complete the remaining saddles. We never meant to break the contract or defraud the government. And we certainly never thought being late would be considered treason! We love our city and are very loyal to our Home Stone!  Please Sir, grant us a little more time.”
“The two of you make the saddles?” asked the Prosecutor.
“No Sir, we obtain the various materials and hire leather workers to assemble them,” she answered.
“Do you understand why the City considers this a breach of contract?”
“Yes Sir. We should have asked for more time,” she said.
“Do you have anything more to add before the Magistrate rules?”
“I beg for more time Sir. I know that I can complete the remaining saddles without Marden. I have obtained almost all of the materials needed to finish. Please have mercy on me, I don’t know where Marden is or why he left. I think he went in search of materials, and am afraid that something happened to him. We are not criminals. Please have leniency on me and allow me more time. I never meant to breach the contract and I am loyal to my Home Stone,” she pleaded, falling to her knees.
“While you have been detained awaiting this hearing, your personal property has been inventoried and assessed.  You do not own your place of residence. Your net worth does not equal the initial contract deposit that you were given. Are you able to repay the initial deposit for the contract?”
“No Sir, I don’t have it now, but I can finish the saddles and complete the contract,” she answered.
“Is Dira the only slave that you own and is there any other property, other than what was at your residence?”
“No Sir, she is the only slave, and other than furnishings, there is nothing else. But I promise to make good on the agreement! I will get those saddles made, I just need a little more time!” she exclaimed.
“The Magistrate will now rule,” the Prosecutor said and looked toward Julian.
“Citizens of Argentum, this is a serious charge, requiring immediate attention and resolution. We are at war and the effort to sustain our forces, supplying them with the equipment they need, is vital to winning this war. When our City makes a binding agreement to contract for the procurement of instruments of war, that contract cannot be ignored. There is a need for these saddles and it has not been met.  A notice to comply was sent, yet no extension was requested. Your Free Companion is missing, presumed to be evading justice. Breaching a military procurement contract is currently an act of treason, as we are at war. There are consequences and anyone who decides to ignore the contract, like you did, must face them. Lady Filomena Viducia Barbietia, you stand convicted of breach of contract and treason. Your slave, residential possessions and any other property you own is to be immediately confiscated. You are hereby sentenced to fifty lashes of the whip and execution as a Free Woman, or, you may submit yourself to slavery becoming the property of the City of Argentum.”
Lady Filomena’s jaw dropped and her mouth remained open in shock at what she had heard.  She was speechless, and her head shook back and forth in disbelief, her eyes wide open.
“Lady Filomena, do you choose execution or submission into slavery?” Julian asked.
“I, I, I am nnot a criminal, I haven’t done anything wrong. I can pay the money back. I, I need time,” she stuttered.
“Lady Filomena, make a decision now or it will be made for you,” Julian said.
“Oh no, I can’t do this. I don’t want to die. I can’t be a slave. I have honor. I would rather die as a Free Woman than live as a slave.”  I heard murmurs from the crowd, approvals from the women.
“Captain Atticus, administer the first part of the sentence please,” Julian said. A guard went to each side of her and taking her arms, led her to the massive wooden stock. They put her wrists through the holes in the sides of the pillory.  They pulled the hood of her robe back from her head, exposing braided auburn hair, set into elaborate tresses.  Her head was then guided into the large central hole.  The heavy upper wooden arm swung down and was secured, locking her in place.
Her head now hanging down in the pillory, a guard came in front of her, and reached for her face, grabbing her veil. He pulled it away in a jerking motion, and dropped what appeared to be two separate veils onto the ground.  Her face was still veiled!  I was astounded that she was wearing three veils.  Why would a woman need more than one?  The guard reached again to the remaining veil and jerked it away.
Behind her, another guard leaned over her back, as she was now bent at the waist to accommodate her position in the stock, and he used large shears to cut into her outer robe.  He went to her neck and just below the hood, began cutting down the middle of her back and stopped at her waist.  He then cut along her waist, on both sides of the cut down her back.  He finished by making another cut above her shoulders.  He moved the cut material away and the robe fell down along both sides of her body, with the long sleeves still intact on her arms.  He repeated the cuts through another layer of clothing and then another, before coming to a thin, cream colored, delicate layer of fabric, like something that is called a slip on Earth.  When he cut through this last delicate layer, her back was fully exposed, from the top of her shoulders to her waist.  The skin on her back was very white, contrasting with the pillory and everything around her.
One of the guards picked up a whip.  It was a different whip than what had been previously used on the man condemned for the illegal enslavement of the former Lady Temione.  That whip had been a large heavy strand of braided leather and was probably now blood soaked.  On Earth it would have been called a bull whip, and it had shredded the back of the condemned man.  I had found it very difficult to watch the fifty stroke lashing, it seemed overly excessive for someone condemned, especially when the victim had lost consciousness more than once during the beating.
The whip currently in the hand of the guard looked familiar.  It had five broad leather straps attached to a handle.  The straps were over two feet long and the handle was long, eighteen inches or more, large enough to hold and wield with two hands.  I had been strongly encouraged to use one identical to it on Lina, at Mirus’s house. 
Lady Filomena was now babbling, and even if I had a good grasp of the language, I don’t think I would have found her words to be intelligible.  The guard stood to her side and raised the whip up, before swinging it down hard upon her back.  The sound of impact was that of a loud slap.  Lady Filomena screamed.  Another lash landed and then another, and Lady Filomena screamed louder.  Her back became an angry red.  Her babbling stopped and she began to beg.
“Please stop!”  Another lash and she screamed.  “I didn’t do anything wrong!”  Another lash and scream.  “I beg for death!”  Another lash and scream.  “Please stop, I beg you!”  Again, another lash and scream.  The guard had delivered a dozen strokes or more, before pausing and walking around to her other side.  She begged during this pause, pleading rapidly before the next stroke fell.  The beating resumed from her other side.  “Please kill me now!” Another lash and scream. “Why?” Another lash and scream. “I submit, I submit, please stop!” Lash and scream. “I am a slave, I beg mercy!” Another lash and scream.  “I submit as a slave, I am a slave!” she exclaimed.
“Hold!” the Magistrate shouted, and then said, “Lady Filomena Viducia Barbietia, you have just stated twice that you submit and are a slave.  Do you wish to change your sentencing decision from execution to submission into slavery?”
“Yes Sir. I can’t take fifty lashes. I can’t take any more lashes.  Please kill me now, I beg mercy. Please, I will do anything to make this stop!” she exclaimed.
“Lady Filomena, you will endure the remaining lashes before you are executed tomorrow, unless you wish to change your sentencing decision. I will ask you one final time, are you submitting yourself as a slave, avoiding the sentence pronounced upon you as a Free Woman?”
“Yes, I submit myself as a slave!” she cried out and began to sob.
“I am amending your sentence. Your submission into slavery is accepted and noted. You are no longer Lady Filomena Viducia Barbietia, but now a nameless slave, property of Argentum. You will address all free men as Master and all free women as Mistress. Do you understand?”
“Yes Sir,” she answered.
Julian nodded at the guard who wielded the whip, and he lashed down on her back once more.
“Oouuh! Please!”
“I will repeat myself, you will address all free men as Master. Do you understand?” he asked again.
“Ye, yes, Master!” she exclaimed.
“Good. Instant and unquestioning obedience is now expected of you. Do you understand?”
“Yes Master,” she replied.
“The lashes you have received were as a Free Woman.  As a slave, you will receive five more lashes as a demonstration that you are now under discipline and subject to the whip,” Julian said and nodded to the guard, who continued the whipping.
“Please no, Master, I beg mercy, I know I am a slave!” she pleaded.
 The whipping continued and after the fifth stroke Julian said, “Remove the rest of her clothing and mark her thigh with a kef.”
Her ruined clothing was removed from her while she was in the pillory.  I looked at the faces in the crowd who were now staring intently, many of the men smiling. I heard several men say, “fire crotch”, a word I had heard a couple times before, when men spoke of red-haired women.  Filomena had a reddish triangle of hair, below her belly, that was a little difficult to see from my angle and the posture she was in.  She had an attractive figure, nice curves with ample breasts, now exposed and hanging below her bent over body.  I started to get aroused seeing her displayed this way.  I thought to myself, what is wrong with me, I should be feeling compassion now, and not lust.  The poor woman had just been lashed hard, her back a burst of red streaks, and all I can think of is how I would put her to use, locked in the stock.


A guard put a small rope around her left knee and used it to lift it up high, which raised her foot from the ground.  Her knee was pulled towards the vertical wooden support timber where the rope was secured to one of the metal rings.  Most of her weight was now supported by her right leg.  Her whole body began to tremble, except for her left thigh which was now mostly immobilized.
The iron worker took one of the branding irons from the brazier and stepped towards her left side.  The tip of it glowed bright orange.  With his left hand he reached down and went around the front of her thigh and grabbed it firmly from the inside.  She jerked a bit, surprised by the touch of a strange man, so close to her intimate area.  Holding her steady with his left hand, he used his right hand to bring the hot tip of the iron onto her upper thigh.  I saw the faintest wisp of smoke curl up when the brand contacted her flesh, marking her forever as a slave.  She screamed.  She lost control of her bladder and urine pooled on the stone floor below her.
“The sentence has now been administered. The marked slave, formerly known as Filomena, and the slave known as Dira, will now be auctioned to the public by the City of Argentum,” Julian announced to the crowd.  The guards removed the heavy wooden upper arm of the pillory, releasing Filomena from it.  She was compliant as her hands were tied together behind her back, before being led away from the stock.  She stood in a state of shock, her eyes to the ground, unable to face the crowd while waiting for the auction to begin. 
The scribe who had been at the side table stood up, grabbed the five bladed whip and walked towards her.  He turned and addressed the crowd saying, “The first auction will be for the former Filomena, with the bidding to start at one silver tarsk.”  There were no bids at first.  “She is healthy, has nice curves. She is intelligent and a skilled scribe,” he said loudly.  Was the initial bid price too high for a new untrained slave?  She was told to get on all fours.  A man to my left yelled out a bid for one silver tarsk.  She was then made to kneel in nadu.  The auctioneer scribe used the whip to push her knees wider as she knelt.  Her movements were clumsy, and slow, but her body was attractive.  Her head hung low, bent at the neck.  She had no interest in facing the crowd.  The auctioneer placed the whip under her chin and told her to keep her head up.  I was becoming aroused by the scene and the thought of owning her, training her, excited me.  Other men began to bid, her price now one silver and three copper tarsks.
Bids were coming in slow, with bidders only offering a single copper tarsk to the previous bid.  The auctioneer was becoming impatient, ready to move on.  I heard a man say five coppers.  On impulse, I yelled out, “Two silvers!” The crowd got quiet and people turned to look at me, the man who had outbid everyone so far with an obviously exaggerated bid.  A brief second went by and the scribe turned to me and said, “Sold, for two silver tarsks!”

11 comments:

  1. Arizona Wanderer:

    (1) I’ve been looking forward to this chapter for a month. Tracker said in the comments to Chapter Twenty Six of Barbarian of Gor, “It’s a good one.” I’m surprised it is on time with the distraction of three new chapters from Emma. How are you going to finish John Norman’s books, read a chapter a day from Emma and write a chapter a week? To improve your writing, you could rewrite, not simply edit, chapters 21 through 27 from scratch and post on Emma’s site.

    (2) Great illustration.

    (3) I love the simple and descriptive title, “Lady Filomena.”

    (4) Lady Filomena introduces herself as “Filomena Viducia Barbietia.” In The Paga Diaries (18), she is “Filomena Viducia Barbieta.”

    (5) Typo on the line after Julian gives Lady Filomena the choice between execution and enslavement: “I, I, I am nnot a criminal.” —> I, I, I am not a criminal.

    (6) Great dialogue between the prosecutor and Lady Filomena and great pronouncement and reasoning by the Magistrate.

    (7) Great description of securing Lady Filomena in the pillory, her appearance, the removal of her veils, the cutting of her robes, the whip and the lashing.

    (8) Typo on the third line after Julian pronounces she is a slave: ‘“Oouuh! Please!’” —> “Oouuch! Please!” (I know you’re trying to show agony, but I think she’s trying to say “Ouch.” Otherwise, “Ooh” or “Ow.”) Two more lines down: ‘“Ye, Yes, Master!” she exclaimed.’ —> “Ye…, Yes, Master!” … [or —>] “Yes, Yes, Master!” (The “Ye” without any ellipsis looks like a misspelling and distracts the reader).

    tbd

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    1. ctd

      (9) I love “I started to get aroused seeing her displayed this way. I thought to myself what is wrong with me. I should be feeling compassion now, and not lust. The poor woman had just been lashed hard, her back a burst of red streaks, and all I can think of is how I would put her to use, locked in the stock.” You showed Rykart feeling lust and his guilt at his lust and provided a vivid word picture (“her back a burst of red streaks”).

      (10) Vivid and detailed description of her left leg being immobilized and branded. I love: “I saw the faintest wisp of smoke curled up when the brand contacted her flesh, marking her forever as a slave. She screamed. She lost control of her bladder and urine pooled on the stone floor below her.” There are word pictures (“faintest wisp of smoke curled up” and “urine pooled on the stone floor”) and a bondage domination element (“marking her forever as a slave”)

      (11) Great and very descriptive passage: “She was compliant as her hands were tied between her back, before being led away from the stock. She stood in a state of shock, her eyes to the ground, unable to face the crowd while waiting for the auction to begin.” Excellent word pictures: “state of shock, her eyes to the ground, unable to face the crowd.” Bondage domination element: “compliant as her hands were tied between her back, before being led …”

      (12) Filomena’s hands were tied behind her back after she was removed from the stock. How could she get on all fours during the auction?!? Either you need to explicitly say a guard untied her hands or remove “She was told to get on all fours.”

      (13) The auction scene feels like you ran out of steam. After her clothes are removed, you describe “ample breasts, now exposed and hanging.” In the auction scene, you could describe how her breasts change when she goes to nadu. You could describe her thighs and brand. I love “I was becoming aroused at the scene and the thought of owning her, training her, excited me.”

      (14) Great finish: ‘On impulse, I yelled out, “Two silvers!” The crowd grew quiet and people turned to look at me, the man who had outbid everybody with an obviously exaggerated bid. A brief second went by and the scribe turned to me and said, “Sold, for two silvers tarsks!”’ I like “impulse” and “an obviously exaggerated bid.” “Sold, for two silver tarsks!” was the logical ending to this chapter.

      (15) Overall, “a good one,” as Tracker said. Very linear. Fix the logical contradiction and provide a word picture or two for the auction scene and it would rise to the level of the previous chapter. Instead of saying, “Her movements were slow and clumsy, but her body was attractive,” show her slowness, clumsiness and attractiveness, e.g. “She stumbled moving into nadu, squirming to part her thighs, but her auburn hair contrasted nicely with her creamy white skin and blue eyes.”

      (16) You put a lot of work into this chapter and it shows. The dialogue, punishments and Filomena’s indecisiveness faced with two horrible choices are very Gorean. I’m surprised the auctioneer scribe didn’t administer the slaver’s caress, bend her backwards to display the slave bow or encourage the former Filomena to move her hips and breasts. Surely, he has attended slave auctions.

      (17) Rykart bought the former Lady Filomena in this chapter after thinking in the last chapter, “I wanted to see how Lady Filomena’s situation would resolve.” He sees her brutal punishment. He gets aroused. He becomes aroused by the auction and the thought of owning and training her. He overbids on impulse. Typical Rykart, but this time he gets the slave. I’d like to see him continue the discussion he has with Lady Filomena in the tea house in (18). Two silver tarsks to own a scribe is a bargain compared to a silver tarsk for language lessons.

      vyeh

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    2. vyeh,

      I would be honored to have my completed novel all in one place on Emma’s amazing blog site. I am thrilled that Tracker is posting and it would be great to have it complete on his site too.
      Emma inspired me to write, and I began with the intent of giving a little something back to her. She provided the Paga Diaries title and I think the name is perfect. I never thought it would become a full novel, but it will be. I hope she finds time to post and include my recent work.
      To answer your question about how I will get everything done, with all of the reading and writing, I have paused reading Norman and am trying to focused on writing, but finishing a chapter a week is something I am really struggling with, and probably won’t be able to maintain. I envy Emma’s ultra productive bursts of creativity.

      I appreciate when you point out typos, but the ones you pointed out with words with extra letters were deliberate. I was trying to make it sound like Filomena was stuttering. Is there a better way to describe it?
      Thanks for number your (12) catch and recommendations in (13).

      I am going to the bottom of the Grand Canyon tomorrow, and unable to view or reply for five days.

      Delete
    3. Arizona Wanderer:

      (1) Email Emma about reposting chapters (21) through (27) and posting future chapters on her site. At a minimum, you have the corrections to your master copy, and those chapters can benefit from the breaks between paragraphs and lines of dialogue breaks. I reviewed Lady Filomena and Barbarian Chapter Twenty Seven back to back; formatting makes reading much easier.

      (2) A JFK speech-writer taught me in his only class of 14 students. He gave us a variety of writing assignments — writing ad copy was one — returned our work covered in red ink, and insisted on a complete rewrite. That same semester, I was the teaching assistant for 13 very highly credentialed first year professional students and worked with their writing. One said the best thing I did was getting him to incorporate his English degree in a new setting.

      (3) When you rewrite from scratch, you take a different path enlightened by the first work and feedback.

      (4) “The Paga Diaries” is a great title for a never-ending serialization. Tracker changed his title from “On the Banks of the Bighorn” to “After the Bighorn,” when Patrick left the Bighorn, and to “Tales from Drysdale House” when Patrick’s narrative had little connection to the Fricks.

      (5) You can save Norman for Emma’s next break. Her time between breaks ranges from one to six months. I hope she finishes Barbarian, which started in August 2023, and writes Part Two of First Girl before her next break. At one chapter a day, she will take two weeks to finish Barbarian.

      (6) I want the transition from Lady Filomena to Move Well Kajira. I imagine Rykart taking Filomena, naked, her hands thonged behind her, freshly branded, in a state of shock, through the streets of Argentum to his apartment with slave papers provided by the assistant/auctioneer scribe. Does she recognize Rykart from (18)?

      (7) You can pause The Diaries to move (21) - (27) to Emma’s site. You can post future chapters here first, get feedback from Tracker and me and post revised chapters on Emma’s site. Emma gets a lot of traffic. (Number two googling “Gor fan fiction.” Number one, Archive of Our Own, has 40 entries of mostly crossover stories and hatefic.)

      (8) The most important thing the JFK speechwriter taught was “write with your intended reader in mind.” Non conventional language (grammar, spelling, words) throw the reader off. There are conventional ways to indicate stuttering: repeated words (“Yes, yes, Sir, Sir”), ellipses (“Yes … Sir …”), filler words (“Uh”), saying so (‘“I,” she paused. “I,” she paused a second time. “I am not a criminal,” she finally said after several ihn. “I love my Home Stone.”’).

      (9) The major point in (13) is that I felt you ran out of steam. Until that point, I thought Lady Filomena was as good as Barbarian Twenty Six, as heretical as that sounds. When I moved from Filomena standing before the crowd, “in a state of shock, her eyes to the ground, unable to face the crowd,” to “The scribe who had been at the side table …,” my enthusiasm dropped.

      (9) Auction scenes have taken whole chapters, e.g. Vella and her two companions at the Curulean in Assassin of Gor. After the extensive description of her punishment and the dialogue between her and the prosecutor, the two paragraph auction scene — the second very short — was a shock.

      (10) I suspect you rushed to finish (27). The mistake in (12) shows the rush. The auction scene could have been as extensive as the punishment scene in description and Filomena’s, Rykart’s and the crowd’s reaction. You can rewrite the auction scene if you submit (21) - (27) to Emma. (13) only mirrors your writing between the punishment and branding scenes.

      (11) Enjoy the Grand Canyon!

      vyeh

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    5. Arizona Wanderer:

      (1) Wonderful.

      (2) Good luck catching up with 5 chapters of Barbarian, the first chapter of a new Regenta prequel, two chapters of Scipio Metellus and a new Pauline Armitage short story.

      (3) I just sent you an email.

      vyeh

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    6. Arizona Wanderer:

      (1) I reviewed Move Well Kajira under No Paga Diaries This Week.

      (2) The review may help as you write The Paga Diaries (28).

      vyeh

      Delete
  2. Liked the whole story so far, but particularly this chapter. Wasn't expecting Rykart to bid. Just hope that he has the strength now to be totally Gorean, and not succumb to compassionate weakness. It would be damaging to himself and to the new slave.

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    1. AuntiePArm:

      (1) Compassionate weakness? I’m not sure what you mean. It sounds as malleable as tough love.

      (2) Is compassionate weakness when Rykart tries to buy Penny and Lina when he sees them badly beaten by their current masters?

      (3) Like Vita and Verna, Rykart does not know the true reason for his actions. Was his impulse to buy Filomena libido or compassion to spare Filomena, his one time acquaintance, the harshness a raw kajira experiences?

      (4) Rykart will use Filomena well. He won’t punish her for no reason. As with Penny and Lina, he will talk to her and not treat her as an object.

      (5) If compassionate weakness is treating Penny and Lina better than Lenious and Mirus do, Rykart is not damaging himself. Maybe he is damaging Penny and Lina by holding out the hope (illusion?) of a master who won’t punish excessively?

      vyeh

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    2. Rykart will struggle with compassionate weakness in his future handling of Filomena. He is trying to become wholly Gorean but has a little ways to go. Hopefully his approach and technique will not do irreparable damage to himself or his new kajira. He does understand that this is a serious and delicate affair, that requires thoughtful planning and execution.

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  3. Another well written chapter My Friend

    ReplyDelete

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