By Peony D. Beckside
Chapter Three: Impossible! Unbelievable!
The men are so strong. Big and muscular, brawny if you like. No sign of excess fat. I watch as two of them, under the command of the rat Kyril Flavius, remove the girl from each of the cages.
The procedure seems to be the same. The door is opened, the girl is summoned
forth. If she’s reluctant from fear,
she’s physically grasped or dragged out by her hair. As she stands, her arms are pulled behind her
back and pinioned in what looks like decorative handcuffs. A metal anklet is locked on her lower left
leg. For identification purposes, I
surmise. The metal collar that she
wears, as do I, is removed. I don’t
quite understand why. Doubtless there’s
a reason known only to our captors. A
fat probe of leather is thrust into her mouth, gagging her effectively. A large black leather bag-like item is
dropped over her head and shoulders. The
only significant differences between it and a burqa are that it’s shorter,
draping down to and over the hips and that the bag has no opening for the
face A strap is fastened from the back
to the front between the legs, so the garment cannot ride up. It’s loose enough that air can get inside but
the woman inside is effectively blindfolded.
It has no holes to allow arms to protrude, but then the woman’s arms are
secured anyway. For all that, the bag is
still tight enough to have some of the effects a strait-jacket would have. Once in the bag, the girl will be totally
helpless, but then of course, that’s the whole point of the garment. I notice that each bag has two metal D-rings
attached. One at the front of the bag at
neck height and the other correspondingly, at the back. The men attach short chains from the front
ring of one girl the back of another, and subsequently the next girl is
attached likewise. They are forming a
chain of women. There’s a specific word
for this, a chain of people, of slaves.
The word pops into my head.
Coffle! Yes, that’s what this
is. It’s a coffle. How barbaric!
I’m horribly aware that in short order I too will shortly be added to
this shameful parade of flesh.
They come to my cage. There are four of them. I should be flattered. Doubtless given my Police training in unarmed
combat, they are taking no chances with me.
I debate whether I should fight, struggle. To do so will no doubt be utterly pointless
other than as a form of impotent protest. Yet, to supinely acquiesce and let
them truss me up like this, as a kind of ‘oven-ready turkey’ goes against the
grain.
The matter is moot. I am simply dragged out of my involuntary
bolt-hole and held vice-like while my wrists are secured.
“Open your mouth or I will break your
teeth.”
This man is, I feel, quite capable of doing
just that. Held as firmly as I am,
resistance seems pointless. I open up
and feel the sour taste of a leather prong that’s doubtless been used to gag
many women before me, to effectively silence me.
The restraining bag is efficiently pulled
down over my upper body and secured. I
am moved, placed clearly. I hear the
chink of light chain in front of my face and at the back of my neck. I tug at, test my bonds, but it’s
hopeless. I am held perfectly. I’m confused at a feeling that I have, a
feeling of reassurance, a pleasingness that I cannot escape my bonds. No!
Pleasingness is not the right word.
A ‘rightness’ perhaps? Very
strange... An acknowledgement of the
professionalism and expertness of these my captors, maybe?
Clearly we are being readied for
transportation to somewhere else.
Over the last few days, and as I have
watched the other girls being ‘bagged and tagged’, I have wondered where we are
to be taken. If we are to be killed why
all the rigmarole? We could have been
murdered at any time after our capture, or before for that matter. No, clearly they want us alive. That’s a relief of sorts, but alive as what? That guy, Alyena’s master had laid it out we
are to be slaves, sex-slaves if we can ‘make the grade’, that we have a value-a
monetary one.
I’m not sure that I want to try to be a
sex-slave. Sure I like sex especially
when the man is skilled, but I’m not a slut.
Not one of those women with ‘round-heels’, that’s easily pushed onto her
back whenever a man wants to fuck her.
I wonder though if I will be given the
choice as to whether I’ll put the effort into learning how to be a
slave-slut. These people don’t give me
any sense that what I want or don’t want means anything to them.
So, they call themselves slavers, where is
there a market for good-looking women as slaves. I’m warmed briefly by the
memory of what Alyena’s Master had said that I’m ‘Not displeasing of
appearance’. On one level, I should be
offended at that. Every woman has her
vanity. She KNOWS that she’s the most
desirable of creatures. However that
certainty is, from childhood whittled down by a market-driven society that
denigrates us for its own ends. Our hair
is the wrong colour, our breasts are too big (or too small), our teeth aren’t
white enough. It goes on for ever, until
everyone but the few true special beauties, fail to appreciate and believe they
are desirable in their own right.
Saudi-Arabia? The Gulf States? Columbian Drug-Barons? Russian Mafiosi? Are we to become harem slaves of rich Emir’s,
Don’s, Oligarchs, or Princes? Surely
they’d be rich enough to afford to buy us; for surely we must have an economic
value otherwise it wouldn’t be worth the while of these slavers to abduct us.
A nagging fear leavens such high-flying
thoughts. Perhaps we are destined for
some seedy brothel in one of the less reputable sin-cities of the world. Chained to a bed, having to satisfy up to
fifty men a day. I shudder at that
thought.
I absolutely can’t believe the bullshit that
Alyena and that Kyril Flavius rat were spouting. Planet Gor? A mythical planet on the far side of the
sun? It’s laughable except in the minds
of science-fiction writers, for whom any ridiculous idea can be turned into a
plot. I mean, when I read that
misogynistic tale it was entertaining, but utterly baloney. Never could I or any sane person believe that
the story was real, was someone’s autobiography. Utter bunkum!
One place we definitely aren’t going is the non-existent planet Gor!
The truck has stopped. We have been sat on wooden benches down the
sides of the truck. The D-ring at the
back of this irksome bag has been fastened to some kind of hook or anchorage. Our ankles are shackled. The restraint on one ankle having a short
chain on it. This is I think looped
under some kind of bar before the corresponding restraint is then fastened to
the other ankle. There is some play, but
not enough to get any kind of significant movement. The springing on the truck is not so good,
and/or the road travelled was seriously bumpy, particularly over the last few
miles. Suffice it to say that the journey was very uncomfortable. Despite our gags, I heard a significant
number of painful grunts during the journey, mine included.
I listen as intently as I can, all
information no matter how apparently insignificant might be more important in
tracking down this place; a transit point I suspect, an airfield maybe. Not a quayside. There’s no sense of water nearby, much less
the sea. It’s in the countryside, not a
city. I hear the hoot of an owl. It might take some time, but wherever I’m
going, I WILL escape and officially report what happened to me. I will ensure that my report doesn’t go to
Chief Brainerd, since he’s tainted, in cahoots with those who’ve kidnapped me.
They are removing the girls one by one, from
the far side of the truck. At least
that’s what I think’s happening. After a
short while they start to remove those on my side of the truck. The person next to me is removed. I surmise that I’m next. I feel fingers unshackling my ankles. Others
unfasten my ‘burqa’ from the truck bulkhead.
The hands of two strong men grasp me, lift me and propel me towards the
cooler air of nighttime. I am manhandled
off the truck bed. Two more men grasp
hold of my legs while someone unfastens the claustrophobic bag in which I’ve
been cocooned. It is lifted away. As soon as my arms are clear of the leather
they are grasped again by those who’ve impelled me from the truck. The leather bag is lifted from my head.
I stand there in utter shock! Total disbelief! Even if not firmly held I could not escape,
such is my awe at what I’m seeing! I’m
utterly mesmerised! I’m like the
jackrabbit caught in headlights of the oncoming car. WHAT THE FUCK! What I’m seeing is nothing less than a flying
saucer! A FUCKING FLYING SAUCER! A stray thought crosses my mind. Is this a film-set. But no!
The thing looks absolutely real.
I can’t see any camera’s or stage lighting, any dressing-room
caravans. I should be squirming out of
the hands of the men holding me and running like the wind. I am held by my own incredulity and denial as
well as four strong men.
Thoughts cascade through my mind, not least
of which is the realisation that what Alyena had said, that this Gor place must
then exist, that the UFO tales are not something made up by deluded
nutcases. It’s like a waterfall of
reassessment, a reconsidering my most basic beliefs, even my grip on
sanity. The implications just go on and
on and on!
Suddenly my conscious brain regains
traction. Shit! They are going to put me on that thing! They
are going to take me away! Take me to this
place I’d never been able to credit as existing. I DON’T WANT TO GO TO THIS NEW WORLD, this
olde-world. Here at least I understand
the basic concepts, the basic rules. On
a new world, one’s fundamental assumptions cannot be taken for granted. I definitely don’t want to be a slave,
someone’s fuck-toy, on either world.
I attempt to struggle, to worm my way out of
the hands of the four brawny men.
Rationally I should realise that I cannot, but at this moment I am not
rational. I am pure animal
instinct. I wriggle and writhe for all
I’m worth. The men laugh. I try to bite without consciously realising
that I can’t given the gag that’s still in my mouth. Such is my grasp on the logicality of my
present situation.
All too soon we are at the ramp up into the
ship. I am carted in like a sack full of
weasels all trying to escape at once.
There’s something like a bathtub.
It apparently has what looks like a plexiglass hood that’s been swung
back. I am terrified of this capsule,
that they will put me in it and close the lid.
I just know without conscious reasoning that if they succeed in putting
me in there, it’s ‘game over!’ for me, at least here on Earth.
A fifth man removes the handcuffs holding
me, but that doesn’t give me any more escape options. The hands of the four men holding me are like
vices.
The fifth man unbuckles my gag and removes
it. I scream in frustration, and again
try to bite one of the men holding me.
So tight am I held that I cannot reach any of them.
I am thrust down into the bathtub. Held there firmly. The four men suddenly release me, but before
I can reach up to the rim, to stop my cocooning, the fifth man slams the transparent
lid down.
I press up with all my might but the cover
is immovable. I bang against it, hoping
to shatter it, even though logically I know I will be unable to do so. I won’t have been the first to attempt to get
up out of this pod.
There’s no sound of escaping gas, no smell,
no taste, but I begin to feel weary, bone tired. I want nothing more than to sleep. My pounding on the housing lid loses urgency
and strength. I struggle to remain
awake. I mustn’t let myself sleep! I mustn’t let…! I must...



Peony D. Beckside:
ReplyDelete(1) The title, “Impossible! Unbelievable!” refers to Detective Greenwood, whom we left in a cage below the House of Three Moons. The first paragraph is a nice description of unloading the cages and securing the captured women in a coffle. Tracker did a good job with the first picture, of the captives in their slave sacks. Detective Greenwood’s “pleasantness” and “rightness” at being secured is an interesting touch. It is interesting Detective Greenwood wonders where she and the other captives are headed.
(2) After encountering Alyena’s brand, you’d think Detective Greenwood would be more open to the idea of Gor. Tracker’s second picture, of the flying saucer, fits Detective Greenwood’s description. Detective Greenwood’s reassessment at seeing the flying saucer and her struggle to avoid being put in the capsule are nicely done. I’m sure Tracker is aware in the third picture that Detective Greenwood’s left arm is outside the plexiglass cover and the elbow is on the wrong side of the arm. The frustration of the AI.
(3) The final section after the third picture is nicely done. Presumably, the third part will be Detective Greenwood waking up on Gor. It would be nice if the Priest-Kings shot down the flying saucer over Gor and Detective Greenwood found herself crash landed like Kiera of Gor. I’m looking forward to her conversation with Alyena in Part 3. Part 2 (Chapter Three) was a nice transition from Earth to Gor.
vyeh
vyeh, Thank you for the kind comments on the images. They are not quite what I wanted to match the prose but it was the best I could generate. Things are getting much more difficult as so many sites have increased the restrictions on what can be generated and outright banning generation if certain words are used or situations described.
DeleteI was glad to see the news that Emma was still around and checking her spam filter. As Emma has higher standards than i do for the artwork she uses; I wonder if that is why we have not seen a post from her since March 12, which is around the time that goegle and grok and others started becoming much more severe with their censorship.
You have inspired me to reread Fighting Slave of Gor, but I am a much slower reader than you appear to be, so it will be some time before I complete the book.
I wish you well - Tracker.
Tracker:
Delete(1) You might be interested in a real life VanRijn connected with the Gorean saga. Donald A. Wollheim was Ace Books editor-in-chief from its founding in 1952 until 1971, when he founded DAW books. One of his tactics was to publish unauthorized editions of books whose copyright status was murky. He hit paydirt with the books of Edgar Rice Burroughs, who died in 1950. Although his estate, Edgar Rice Burroughs, Inc. actively marketed merchandise based on his books, including Tarzan and the John Carter (Barsoom) books, the estate sadly failed to renew the copyrights of the books.
(2) Published in 1962, the unauthorized Ace ERB books disrupted the mass paperback market crowding many other publishers off the shelves. At its peak the Ace ERB books constituted 1/30 of the market, despite the fact Ace’s books were cheaper (40 cents) than the Ballantine books belatedly authorized by ERB, Inc. (50 cents). Not paying author royalties and having greater volume are competitive advantages.
(3) Donald A. Wollheim had generated demand for more ERB “swords and planets” books. Unfortunately, ERB was dead and trademark law precluded derivative works (like a writer with Emma’s skills writing a sequel to “The Gods of Mars,” the second book of the Barsoom series) because the trademark status for John Carter was clear. Donald A. Wollheim looked for a writer who could build a Barsoom type Mars. He found a young professor of philosophy, John Frederick Lange, Jr., in the same city where he worked.
(4) Dr. Lange had never published fiction in any form. His Princeton dissertation on ethical naturalism argued morality must be based on biology or human nature was a precursor to the “natural order” of the later Gorean books. However, Tarnsman of Gor published by Dr. Lange under the pen name John Norman was a “pastiche” to “A Princess of Mars,” where John Carter, a white Confederate veteran, is transported to Mars, rescues Dejah Thoris, a princess of the humanoid red race, from execution by the six limbed green race, impregnates her, is transported back to Earth. After ten years, he returns to Mars for the second book.
(5) In Tarnsman of Gor, Tarl Cabot is a white professor, who is transported to a fictional planet (Gor) in the solar system, rescues Talena, the daughter of the king (Ubar) of Ar, from execution, has a night of sex after their marriage (free companionship) and is transported back to Earth. After seven years, he returns to Gor for the second book.
(6) Besides the similarities in their circumstances, Tarl Cabot is very similar in outlook to John Carter, whose modus operandi was rescuing princesses. In the second book, John Carter rescues Thuvia, a princess of Ptarth, who has been enslaved for 15 years and leads a mass uprising of enslaved red Martians against the black pirates. Tarl Cabot in the second book leads a mass uprising of enslaved men of Tharna against their overseers and rescues Lara, the deposed queen (Tatrix) of Tharna, who has been sold into slavery by Dorna the Proud, her second-in-command.
(7) Although Barsoom had slavery, it was interspecies, not sexual. Tarl freed Sana in Tarnsman instead of using her as a suicide decoy, which she had volunteered for; Lara in Outlaw; Vika in Priest-Kings; Dina and Vella (twice) in Nomads; Melanie, a disfigured kitchen slave, and Vella in Assassins; Luma and Midice in Raiders; Vinca, two unnamed paga slaves, Sheera and Rissia in Hunters.
(8) In addition, Kamchak freed Aphris in Nomads; Marlenus freed Phais, the slaves of the Street of Pots — he also gave Phais and her fellow slaves of the Street of Pots several enslaved guards of his enemy Cernus to use and sell — Nela, a bath slave, Claudia Tenia Hinrabia (the daughter of his deceased enemy) and the one hundred exotic slaves of Cernus who knew nothing of men in Assassin; Thurnock and Clitus freed their rence slaves Thura and Ula in Raiders; and Marlenus freed Verna in Hunters.
tbc
ctd
Delete(9) Although Donald A. Wollheim was editor-of-chief of Ace, the first seven books of the Gorean saga were published by Ballantine Books, which was the authorized publisher of the Barsoom series. Under a settlement with ERB, Inc., Ace stopped publishing the Barsoom and Tarzan books. J.R.R. Tolkien’s U.S. publisher had imported the printed sheets of his work from England and didn’t have a copyright. Ace published unauthorized editions of Tolkien’s work. Master communicator Tolkien riled up his fans (who encompassed Ace’s intended audience) against Ace. So Donald A. Wollheim, who was a consulting editor at Ballantine, placed the Gorean saga with Ballantine.
(10) In 1971, in the face of continuing fallout from the Tolkien scandal and corporate changes, Donald A. Wollheim left Ace to found DAW Books. In 1972, Ballantine published Captive. In 1973, despite contractual obligations, Betty Ballantine and Judy-Lynn del Ray rejected Hunters, even though John Norman was one of Ballantine’s best selling authors. DAW books published Hunters. In 1985, an ailing Donald A. Wollheim turned day-to-day operations to DAW over to his daughter Betsy Wollheim.
(11) In 1988, Magicians (#25) was published. Betsy Wollheim bragged of killing the Gor series. Witness (#26) was published in 2001 by New World Publishing, which was formed to publish Witness. New World Publishing dissolved after that. E-Reads published Prize (#27) in 2008. Open Road Integrated Media acquired E-reads and the entire Gorean saga backlist in 2014 and published Plunder (#34) in 2016, Quarry (#35) in 2019, Avengers (#36) in 2021, Warriors (#37) in 2022 and Treasure (#38) in 2024.
(12) My sense is that Donald A. Wollheim moderated Tarl Cabot and slavery the first eight books (Tarnsman through Hunters) in order to attract a significant portion of the ERB sword and planet audience. When John Norman became a big fish in a smaller pond, he was able to take Tarl Cabot and slavery in his direction. The AI says Donald A. Wollheim permitted that as long as John Norman continued world-building, which he did in Marauders (Vikings), Tribesmen (desert), Slave Girl (peasants), Beasts (Arctic) and Explorers (equator).
(13) John Norman’s academic career was stunted. Protected by tenure, he was relegated to teaching introductory courses, denied promotion to full professor several times and the subject of numerous feminist protests. The Gorean saga was his soapbox. No surprise that there are a lot of ranting in the later books. IMO, Donald A. Wollheim is more interesting than VanRijn. He revived massive interest in ERB. On the other hand he fought an Oxford don who studied language and whose rabid fans were the audience Wollheim was seeking.
(14) This comment is based on the Google AI, which is prone to inventiveness. The last few books introduced Alan, the son of Tarl Cabot and Lara, Tatrix of Tharna. The very last book (Treasure, #38) introduced and developed four master-slave couples, apparently love master/love slave, traveling to a new region of Gor to fight the Kurii. It would be easier for a new writer to deal with Alan or the four couples than with a Tarl-Talena-Vella-Cecily tetrahedron and whatever happened to Telima?
(15) The value of the Edgar Rice Burroughs books after his death leads me to the following speculation. The world of Gor is an asset. However, while the harsh female slavery may appeal to a niche, it definitely repels a significant group. If John Norman’s heirs are interested in maximizing the value of their intellectual property, they would continue to write Gor books, but soften considerably the aspects of slavery. Both Alan and Mira, Treasure POV, are vehicles for that.
vyeh